The Single Stroke Roll

Alternating hands — the most fundamental motion in drumming

Duration: 15 min Focus: Rudiments

The single stroke roll is just R L R L R L R L — alternating, evenly spaced. There's nothing easier to describe and almost nothing harder to play perfectly even. Two key ideas: every stroke at the same volume, and your hands at exactly the same height.

Build speed by adding density (more notes per beat), not by rushing the hands. Quarter → eighth → sixteenth, each at the same tempo. Your hands learn the motion at the slow density, then carry it into the fast one.

Record ten seconds of your 16th-note singles and listen with your eyes closed. Almost everyone hears the same thing: the dominant hand slightly louder, the weak hand slightly lower in stick height, and a faint gallop where evenness should be. The fix is boring and effective — lead with the weak hand for a full practice block, and watch the stick heights in a mirror until they match.

Two minutes of truly even singles at ♩=80 beats twenty minutes of fast, lumpy ones. Speed comes from evenness, because an even roll has no hitches for tension to hide in. When the accented exercise feels effortless, that's your cue to raise the tempo, and not before.

1 — Quarter-Note Singles

4/4 · ♩ = 80
RLRL
Sticking: R L R L. One stroke per beat. Watch your stick heights — both sticks should rebound to the same place. If one is higher than the other, even out before adding speed.

2 — Eighth-Note Singles

4/4 · ♩ = 80
RLRLRLRL
Sticking: R L R L R L R L. Same tempo as exercise 1, twice the strokes per beat. The tempo doesn't change; only the density does.

3 — Sixteenth-Note Singles (The Roll)

4/4 · ♩ = 80
RLRLRLRLRLRLRLRL
Sticking: R L R L · R L R L · R L R L · R L R L. This is the actual single stroke roll. Even though your hands are moving fast, the metronome pulse is unchanged — beat 1 still lands on the same R it did in exercise 1.

4 — Sixteenths with Accents on the Beat

4/4 · ♩ = 80
RLRLRLRLRLRLRLRL
Same notes as exercise 3, but play the first sixteenth of each beat louder — the > marks show where. Accents land on the R's at counts 1, 2, 3, 4; quiet on every other note. This is how you make the pulse audible inside a stream of even sixteenths.
Move on when
  • Quarter, 8th, and 16th densities all flow at ♩=80 without one hand getting weak
  • Accents (Ex 4) make the pulse audible inside the stream of 16ths
  • Stick heights match between R and L on every stroke
Listening 2 records

Listen for it

  1. 01

    Buddy Rich West Side Story Medley (live)

    Single-stroke velocity as a musical language. You don't need his speed — listen for how even the stream stays at any speed.

  2. 02

    John Bonham Led Zeppelin — Moby Dick

    The solo is built largely from singles moved around the kit. Notice how the accents make phrases out of an unbroken stream.