The Single Paradiddle

The most useful sticking pattern ever invented

Duration: 15–20 min Focus: Rudiments

Four notes: R L R R, then its mirror, L R L L. The single paradiddle folds a single stroke and a double stroke into one phrase. Once you can play it cleanly, you can move accents around inside it, alternate hands across the kit, and use it as the foundation for hundreds of fills.

Why it's so useful: the pattern naturally alternates which hand starts each grouping, so over four reps both hands lead twice. That built-in balance is why drummers never stop reaching for it.

Sixteen 16th notes per bar, sticking R L R R · L R L L played twice through — four paradiddles, alternating which hand leads each group. Loop it.

1 — Single Paradiddle on Snare

4/4 · 16th notes · ♩ = 80
RLRRLRLLRLRRLRLL
Sticking: R L R R · L R L L · R L R R · L R L L. The accents (the > marks above the staff) naturally fall on counts 1, 2, 3, 4 — the start of each paradiddle group. Let those notes be slightly louder than the rest. Playback sits at ♩=80; work it from ♩=70 up to ♩=100 once it is clean.
Move on when
  • RLRR LRLL × 2 at ♩=80 for 2 minutes without sticking errors
  • Accents on counts 1, 2, 3, 4 are clearly louder than the rest
  • No weak fourth note in the LL doubles
Listening 2 records

Listen for it

  1. 01

    Steve Gadd Paul Simon — 50 Ways to Leave Your Lover

    The most famous paradiddle-based groove on record: displaced and inverted paradiddle stickings woven between hi-hat, snare, and kick. Textbook RLRR LRLL won't line up note-for-note; listen for the paradiddle texture instead.

  2. 02

    David Garibaldi Tower of Power — What Is Hip?

    Paradiddle-family stickings scattered between hat and snare at speed. Listen for how the accents, not the sticking, are what you actually hear.